Elementary Title Sequence
In this
sequence the titles mainly appear after something has passed the screen or
gotten in the way of where the titles are to appear. For instance, the gun’s revolving
cylinder twists into view, leaving behind the name of one of the main actors in
the series. This is an interesting way to get the audience to focus on the
titles and makes them more likely to remember the names after they’ve read them.
The colours are all similar, except the white
titling to represent the good the detectives do, and they nearly blend in
together. However, thanks to the different lights we are able to differentiate
between the background and the revolver, making it clear that the series
involves crime but that it is a mystery to who commit it. This is also emphasised through the extreme
close up camera shot from the shooting end of the revolver, keeping the shooter
hidden, even though no sign of the handler is visible it implies that there is
someone watching. On the other hand it links to Sherlock Holmes and how he
manages to see things from the murderer’s perspective in order to solve the
mystery.
The Sixth Sense Title Sequence
In the
sequence, The Sixth Sense, the titles fade in and out of the shot as if they were
fading from a dream. The dreamlike effect is also used with the surroundings,
portraying the centre of the long shot in black and white then fading out into
black around the frame to suggest that beyond what the audience can see there
is something evil, dangerous or unknown. These dark colours support the genre
of the film as they set the tone and having the church in the shot being
engulfed by these dark colours implies something unholy will happen.
The font of the titling is clear once it has fully faded
in in the shot, proposing that the protagonist isn’t always clear minded and
may even be unsteady at times. Then again, as the titling centred in the shot
is highlighted by the light of the church, it denotes that the protagonist is
tempted by the darkness (evil) but that he has light (good) in him.
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