There are two narrative codes,
the Hermeneutic Code and the Proairetic Code, these code terms were discovered
by Roland Barthes. The Hermeneutic Code is the method of creating suspense by not
fully explaining the situation or deliberately avoiding telling the truth which
raises questions, it consists of five separate parts: enigma codes (unanswered
questions), the snare (something that gives you the wrong idea), partial
answers (some truth revealed), equivocation (truth and false evidence) and
jamming (suggesting that the problem cannot be solved).
The other
narrative code is the Proairetic Code, that introduces actions that suggest
something will happen, leaving the viewer to guess at what is next to come.
Both codes are put in place to keep the audience interested in finding out the
answers to the questions they are asking themselves.
The Secret Window is a perfect example of how
the Hermeneutic Code is used as it misleads the audience into believing that
the main actor is the victim when in reality he is the perpetrator. This
psychological thriller uses the snare so that the audience is completely thrown
off of the path of what really is happening. Some truths are revealed but some
are misinforming.
Another illustration
is when Karkaroff, from Harry Potter and the Goblet of Fire, goes into the
Dining Hall to, what it seems, put Harry’s name into the Goblet. This shot
reveals partial answers as the viewers are permitted to know that he had been
in the room but aren’t informed whether or not he was doing anything corrupt,
in spite of this the audience is made to think he has by his suspicious facial
expressions as well as his body language.
In
Alien Autopsy, the Proairetic Code is used several times, such as when the film
doesn’t work anymore it puts the life of one of the main characters at risk,
therefore it makes the audience guess and question what will happen to the
protagonist or how they will change the outcome of the events.
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